http://www.squidsoup.org/driftnet/
Imagine flying like a bird through a musical composition that surrounds you, immerses you and reacts to your presence.
Driftnet is a confluence of two ideas – bird-like flight, and a spatialised, navigable musical environment.
At one level, it experiments with intuitive methods for freely navigating 3D virtual space. Users are invited to ‘fly like a bird’ to navigate through a virtual space. Using NO worn equipment - just by flapping their arms/wings and tilting their arms and bodies – people can intuitively (and amusingly!) navigate freely in virtual space. The metaphor used harks back to childhood play, imitating birds and planes in the playground.
The virtual space is regarded as the notation paper for a spatial, navigable musical composition – we use it to create immersive and responsive virtual spaces that can be explored both visually and aurally – an area we have been exploring with “Altzero” (www.squidsoup.org/altzero) since 1999. Sounds become reactive agents, visualised within the space and with behaviours that respond to one’s presence. By moving through the space, participants are able to navigate the musical composition, as proximity and relative position directly affect what is heard.
The immersive experience, and the slightly tongue-in-cheek flavour of the interface, are both enhanced by the use of anaglyphic red/cyan specs to create a strong illusion of 3D depth.
Driftnet is a confluence of two ideas – bird-like flight, and a spatialised, navigable musical environment.
At one level, it experiments with intuitive methods for freely navigating 3D virtual space. Users are invited to ‘fly like a bird’ to navigate through a virtual space. Using NO worn equipment - just by flapping their arms/wings and tilting their arms and bodies – people can intuitively (and amusingly!) navigate freely in virtual space. The metaphor used harks back to childhood play, imitating birds and planes in the playground.
The virtual space is regarded as the notation paper for a spatial, navigable musical composition – we use it to create immersive and responsive virtual spaces that can be explored both visually and aurally – an area we have been exploring with “Altzero” (www.squidsoup.org/altzero) since 1999. Sounds become reactive agents, visualised within the space and with behaviours that respond to one’s presence. By moving through the space, participants are able to navigate the musical composition, as proximity and relative position directly affect what is heard.
The immersive experience, and the slightly tongue-in-cheek flavour of the interface, are both enhanced by the use of anaglyphic red/cyan specs to create a strong illusion of 3D depth.
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